The result was a continuous visual experience that coexisted with the citizen’s world, serving both as a communicative tool as well as a representation of a holistic vision of being.Ĭosmetics, Playground and Critical Fusion S/he created a whole parallel world consisting of marble and pigments. Working at the service of political and religious authorities, the Renaissance artist designed the architecture and exterior of public spaces, as well as the interiors, including sculptural and pictorial elements. Maurice Benayoun, Josef Bares full text published in What Urban Media Art Can Do, Susa Pop, Tanya Toft, Nerea Calvillo, Mark Write editors, AVedition, Stuttgart, Germany, 2016Īrtists used to be major contributors to how cities looked and felt, providing both structure and content for public space. Urban Media Art Paradox: Critical Fusion vs.
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